' This choral piece, which has to do with the sword fight and comes at the end of the film, is a result of my thinking that something ritualistic and/or pagan and antique might be very effective.' ―John Williams' Duel of the Fates' is a composed by between and for the 1999 film and its respective.
It was written to represent the between the and the with his in the 'Duel of the Fates' scene at the end of the movie. The composition was recorded by the (LSO) and the in February 1999 in in,. The piece was used in all three of the movies and included on the of. The theme also briefly appeared in the spinoff film, though it was not used in said film's soundtrack album. The motif is used many times throughout, trailers, and numerous other pieces of media, as well as in the for The Phantom Menace, which includes footage of the theme's recording sessions.The theme is mainly, is in the, and has a mode, a of 152 bpm, and a with a of 4/4. The composition, which lasts four minutes and fourteen seconds, contains lyrical chants translated from the epic. The composition was made available for purchase on, 1999, with the release of the soundtrack for The Phantom Menace, and the sheet music was released in the music books,.
Contents Conception and developmentStar Wars Episode I: The Phantom Menace soundtrackwrote the for the film and the respective, as he had for the previous three films of the. He began work on the project in mid- of. 'Duel of the Fates' was written as the main theatrical motif for the film and was utilized in various forms throughout the scenes depicting the climax of the film during the where the forces battle the. The piece is used mainly to represent the between, a, and the and his,.When composing the theme, Williams felt something ritualistic and would be very effective in evoking the proper emotions, so he took a stanza of text from the epic. He had friends from translate the English version back to Celtic, then to, and finally, which he chose for its 'beautiful sounds.'
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Williams then reduced the stanza to phrases consisting of a single word when translated to English and repeated their Sanskrit counterparts. Williams composed the music for the motif on a.
The piece, along with the entire score, was performed by the and in in, in 1999, both recording live at the same time. The motif was written for The Phantom Menace 's end credits and then cut to fit in the picture. ReleaseThe music video for 'Duel of the Fates' was premiered at the opening ceremony of in, on, 1999. In 1999, released 'Duel of the Fates' as a available only to,.
The original, which includes the song, was released by on, 1999, and the Ultimate Edition on,. Also in 1999, the soundtrack was available for purchase as a special limited edition double vinyl album exclusively at towerrecords.com.
The original soundtrack was re-released on, to coincide with the 3-D release of the film in theaters. The album was also released on by 'IAmShark' in. On, it was announced that Sony Classical would be releasing the soundtrack of The Phantom Menace along with those of the other five films in three new sets: the, the, and the on,. —'Duel of the Fates' is mainly and has a mode, a of 152 bpm for most of the piece, and a with a of 4/4. The composition is four minutes fourteen seconds long and is in the. The theme commences as, in style, with the London Voices singing a in.
The tempo, marked as 'allegro,' then speeds up to 152 bpm as the enter with the playing a repeating consisting of two followed by two and another eighth note. The low strings play sets of one, two, and five eighth with a of between each set's measure excluding the last, which has a, making the previous measure only seven eights rest. This continues for twenty measures with slight variations in the low string part.The London Symphony Orchestra performing the pieceAfter the phrase has repeated for six measures, the theme's main comes in, played by the. This melody consists of two eighth notes followed by four quarter notes, two more eighth notes, and a final quarter note.
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It repeats four times, with the first two occurrences being identical and the last two varying. The end quarter note in the last repeat of the melody is tied to two whole notes and crescendos as the strings continue to play their repeating phrases. After another three measures, the plays a rising phrase. In the next bar, the play the melody, and the echo it in the background. Then the strings repeat their phrases for a few more bars, this time accompanied by the, and then the London Voices return with their Sanskrit chant. Meanwhile, the trombones play the otif's main melody. This is followed by more repetition of the string phrases intermingled with notes and phrases from the.
Then the London Voices return with the chant, and the French horns and trumpets trade out on the primary melody. The trumpets join the strings as they continue to repeat their phrases, into a chorus chant of two eighth notes followed by a quarter rest, which repeats eight times as the trumpets play between every other phrase. The chant switches back to its original form, and the trumpets continue to play accented notes between phrases.
The brass and strings then join in playing the strings' repeating phrases in unison.The piece becomes quiet with only the strings continuing. Woodwinds come in with the theme's primary melody followed by the French horns and trumpets. The strings then start playing phrases composed of triplets. Nitro obd2 operating manual. The main melody is traded between the flutes and French horns, and the orchestra grows into an instrumental version of the piece's second chant. The chorus then returns singing the first chant. Between each pair of notes in the chant are the trumpets playing the string phrases and the French horns playing the theme's melody, with the trumpets playing between the first and third pairs and the French horns between the second and fourth.
The chant is repeated with a roll in the middle. Next the entire orchestra plays the string phrases while crescendoing, followed by an upbeat trumpet part and a part. The orchestra returns with the string phrases, and then the piece quiets as the strings continue their phrases and the woodwinds once again perform the melody. The Voices return with the first and second chants. The trumpets play the string phrases, the timpani plays a solo, the trumpets return with six eighth notes, the bongos roll, and the piece ends with one hit of the string phrase. Use In the soundtracksThe theme makes its only pure occurrence in a Star Wars soundtrack in the second track titled 'Duel of the Fates' on the Star Wars Episode I: The Phantom Menace soundtrack, but it is also briefly featured in the fifteenth track titled 'Qui-Gon's Noble End.'
These are the only uses that are made of the theme in the original soundtrack; however, it is used several times throughout most of the last fourteen tracks of the Ultimate Edition soundtrack. The dialogue version, which is featured in the last track of the Ultimate Edition soundtrack and contains the audio from the, was added to the end of the re-release of the original soundtrack, which became available in 2012 to coincide with the 3-D release of the film in theaters.In the, the motif makes one appearance three minutes and thirty-five seconds into the tenth track, titled 'Return to Tatooine.' The for includes references to the theme fifty-five seconds into the track 'Blinded.' In the moviesThe 'Duel of the Fates' scene'Duel of the Fates' is first played in Star Wars Episode I: The Phantom Menace. The 'Duel of the Fates' scene, so named in the menus for the DVD version of the film, is the scene where the characters Qui-Gon Jinn and Obi-Wan Kenobi duel the Darth Maul in the on the planet Naboo. It is played in instrumental form as another major character, is ambushed along with her guards by with rolling capabilities and shields called in the, and as Darth Maul and the Jedi activate their at the commence of their duel.
It is used again as the duel moves from the hangar to a generator complex. The cue comes to an end as shields separate the three combatants for the first time. The original recording is used during the film's end credits.In, the piece is played when Jedi Knight travels across the surface of the planet to search for his mother, and rescue her from her captors, a tribe of a called.In, 'Duel of the Fates' is played for the final time during the middle of the film's climax as Darth Vader against his former master Obi-Wan Kenobi on, as well as during 's in the in order to bring his reign to an end and save the. The piece concludes as Yoda falls from the.In, the theme briefly recurs as Maul, now revealed as the secret leader of, instructs to begin dealing with him more personally. In other canon media'Duel of the Fates' appears in ', the finale episode of of.